All Dante Gabriel Rossetti Oil Paintings


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Dante Gabriel Rossetti Helen of Troy oil painting


Helen of Troy
Painting ID::  28247
Artist: Dante Gabriel Rossetti
Painting: Helen of Troy
Introduction: 1863 Oil on canvas 32.8 x 27.2 cm (12 7/8 x 10 3/4 in) Kunsthalle Hamburg (mk63)
   
   
     

 

 

 

 

 

 

 

Dante Gabriel Rossetti Beata Beatrix oil painting


Beata Beatrix
Painting ID::  28267
Artist: Dante Gabriel Rossetti
Painting: Beata Beatrix
Introduction: c 1864-70 Oil on canvas 86.4 x 66 cm (34 x 26in) Tate Gallery London (mk63)
   
   
     

 

 

 

 

 

 

 

Dante Gabriel Rossetti Venus Vertisordia oil painting


Venus Vertisordia
Painting ID::  28306
Artist: Dante Gabriel Rossetti
Painting: Venus Vertisordia
Introduction: 1864-8 Oil on canvas 98 x 69.9 cm (38 5/8 x 27 1/2 in) Russel Cotes Art Gallery and Museum Bournemouth (mk63)
   
   
     

 

 

 

 

 

 

 

Dante Gabriel Rossetti The Bride oil painting


The Bride
Painting ID::  34012
Artist: Dante Gabriel Rossetti
Painting: The Bride
Introduction: mk87 1865 Oil on canvas 80x76cm London,Tate Gallery
   
   
     

 

 

 

 

 

 

 

Dante Gabriel Rossetti Rosa Triplex oil painting


Rosa Triplex
Painting ID::  34943
Artist: Dante Gabriel Rossetti
Painting: Rosa Triplex
Introduction: mk98 1874 Red chalk with touches of black and white on paper 51x73.5
   
   
     

 

 

 

 

 

 

 


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     Check All Dante Gabriel Rossetti's Paintings Here!
     English Pre-Raphaelite Painter, 1828-1882 Rossetti's first major paintings display some of the realist qualities of the early Pre-Raphaelite movement. His Girlhood of Mary, Virgin and Ecce Ancilla Domini both portray Mary as an emaciated and repressed teenage girl. His incomplete picture Found was his only major modern-life subject. It depicted a prostitute, lifted up from the street by a country-drover who recognises his old sweetheart. However, Rossetti increasingly preferred symbolic and mythological images to realistic ones. This was also true of his later poetry. Many of the ladies he portrayed have the image of idealized Botticelli's Venus, who was supposed to portray Simonetta Vespucci. Although he won support from the John Ruskin, criticism of his clubs caused him to withdraw from public exhibitions and turn to waterhum, which could be sold privately. In 1861, Rossetti published The Early Italian Poets, a set of English translations of Italian poetry including Dante Alighieri's La Vita Nuova. These, and Sir Thomas Malory's Morte d'Arthur, inspired his art in the 1850s. His visions of Arthurian romance and medieval design also inspired his new friends of this time, William Morris and Edward Burne-Jones. Rossetti also typically wrote sonnets for his pictures, such as "Astarte Syraica". As a designer, he worked with William Morris to produce images for stained glass and other decorative devices. Both these developments were precipitated by events in his private life, in particular by the death of his wife Elizabeth Siddal. She had taken an overdose of laudanum shortly after giving birth to a stillborn child. Rossetti became increasingly depressed, and buried the bulk of his unpublished poems in his wife's grave at Highgate Cemetery, though he would later have them exhumed. He idealised her image as Dante's Beatrice in a number of paintings, such as Beata Beatrix. These paintings were to be a major influence on the development of the European Symbolist movement. In these works, Rossetti's depiction of women became almost obsessively stylised. He tended to portray his new lover Fanny Cornforth as the epitome of physical eroticism, whilst another of his mistresses Jane Burden, the wife of his business partner William Morris, was glamorised as an ethereal goddess. . Related Artists to Dante Gabriel Rossetti : | James Caldwall | impressionist painter | camille corot | MICHELE PANNONIO | Friedrich Herlin |

 

 

 

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